4 Out of 5 Modern Women Mostly Trust Their Men With Shared Finances
So how did the Daily Telegraph get that headline and story out the results of a poll that asked :
Do you or do you not "totally trust partner with shared finances"?
Well, you have to consider that the story was written by Joe Hildebrand.
And that the poll cited comes from Westpac's 'Women's Unit' (a PR unit) and the story concludes with the suggestion that partners having separate accounts for business and home finances will lead to less fighting over money issues.
More accounts mean more bank fees, which, coincidentally, now account for the vast majority of Australia's major banks' profits.
Saturday, June 06, 2009
"We Were Confronted With The Iron Fist Of Middle Class Taste"
The all but lost, extremely loose, 1975 movie 'Pure Shit' gets a long overdue re-release.
Here's the trailer :
For its time, this was a wild movie, raw and dangerous and challenging, unlike most Australian movies today. Even the trailer rings a hell of a lot more true of junkie outlaw reality than anything we saw in two whole series of glammed-up Underbelly.
In an interview with Cinetology, Pure Shit director Bert Deling goes hard on the safe and non-offensive Australian film industry :
"It opens up a couple of interesting questions. It opens up the question of how it is that we have had a film funding organisation in Australia that for last 25 years has continued to make films no one wants to see.
"They are the same 12 or so people who made all this crap in the past that no one wants to see. They get hold of a hundred percent of all the governments’ money. In any other country, that would be considered to be a scandal!
"And you can see what the aim is - these f***ers who may have made two or three features, bland sort of things which get two weeks at some art house cinema here and never sell overseas, they want a big kill. They want to get a big budget film, and they’ll make that and then they’ll disappear, leaving the Australian film industry in a smoking ruin. I just don’t get it. They are going to smash it to pieces."
But Deling holds out hope that the low-budget digital movie revolution will deliver on its promise and potential :
"There’s gotta be something soon, like Pure Shit, where somebody wants to go out and make a film and doesn’t give a flying f*** what the middle class say. And they can do it. You could almost do it on a halfway decent credit card."
"Right across the board we were confronted with the iron fist of middle class taste, and they’re the men and women who’ve been running the film industry. That’s why we get the sorts of films that we do – because they know what they’re gonna get. They’ve read the script, they know the director, they know the actors who’ve been cast. The film that they get is the film they wanted. And so they and their friends get to see a film they think is perfect, but nobody else does and no one wants to go!"
